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Shakespeare was the godfather of Ben Jonson’s son and Jonson was eating and drinking with his friend in his house in Stratford a few days before Shakespeare’s death. He was eight years younger than Shakespeare, and like Shakespeare, he did not have a university education. His father died, leaving the family destitute and Jonson took up the trade of bricklaying when he was old enough to.
Shakespeare uses a comparison to a beautiful summer day, to explain that a person in love believes that their soul mate is lovelier. By using an association with something tangible like the warmth and beauty of summer, Shakespeare is able to validate the couples enthusiasm and intensity of feelings for each other. As shown in sonnet “116” metaphors are also used to show love, Lines 4-5.
Shakespeare and His Contemporaries: Essays in Comparison: E. A. J. Honigmann: 9780719019807: Books - Amazon.ca.
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Shakespeare and His Contemporaries Essays in Comparison (Revels Plays Companion Library) by E. A. J. Honigmann ISBN 13: 9780719018121 ISBN 10: 0719018129 Unknown; Manchester: Manchester Univ Pr, March 1986; ISBN-13: 978-0719018121.
Shakespeare and His Contemporaries by E. A. J. Honigmann, 9780719018121, available at Book Depository with free delivery worldwide.
Shakespeare and His Contemporaries by E. A. J. Honigmann, 9780719019807, available at Book Depository with free delivery worldwide.
Having one actor play more than role was convenient for Shakespeare, whose acting company was limited in size, but doubling also enabled him to intensify the atmosphere of his plays, and to make connections and contrasts between scenes and storylines. Emma Smith explores the way that the doubling in A Midsummer Night's Dream heightens the play's dreamlike and fantastical elements.
These essays present some significant Italian contributions to Shakespeare studies. Expressly translated and revised for this occasion, they are representative of approaches to Shakespeare and his contemporaries in Italy and they convey a sense of the vitality and extreme variety of critical and scholarly attitudes in this field. A historical introduction by Michele Marrapodi with a postscript.
While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher.
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The formation “Shakespeare and his contemporaries” implies a certain hierarchy: the Bard first, and other playwrights defined in relation to their contemporaneousness with him. Its persistence over centuries is primarily due to the predominance of the Shakespearean canon in Western theatre and culture more generally. As Shakespeare biographer Peter Holland writes.
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